Articles about Regency amusements
Lansdowne House
The third Marquess of Lansdowne was no stranger to the rich and famous that came to the great London house. His father had hosted Benjamin Franklin (1706 – 1790) when the latter came to negotiate the terms for American independence.
One who was credited with the discovery of oxygen, Joseph Priestley (1733 – 1804) ran tame at Lansdowne House as well, living off the largess of the first marquess when he was still Lord Shelburne.
A cross-post from The Regency Redingote:
The theatres of the Regency did not only glitter with the talents of the great actors who trod their boards. They also glittered with the presence of the many members of the beau monde who flocked to the nightly performances during the season. But more germane to the subject of this article, they glittered with light, all the time. The house lights were never dimmed during a performance in any theatre auditorium in Regency England.
Despite the many instances in scores of Regency romance novels I have read over the years in which the theatre house lights dim and some form of seduction ensues in the darkness, it could not have happened. It was physically and technically impossible to dim the house lights of any theatre auditorium during the years of the Regency. And theatre-goers would have been appalled at the very notion. They came to the theatre to see and be seen. The play itself was secondary to the performances going on in the stalls and private boxes.
Sense & Sensibility is 200 Years Old
Did you know that Jane Austen’s first book is 200years old?
Originally published in 1811, Jane Austen’s first published novel is now 200 years old and has been revered as a classic romance of manners. Becca from our friends at The Jane Austen Gift Shop in Bath, UK, has news about the book and a beautiful Special Leatherbound Edition.
Jane Austen‘s unfinished Bath novel sold for £993k on Saturday, July 16, 2011.
An amazing announcement from the Bath Chronicle and read more of their article….
An unfinished novel which Jane Austen started writing when she was living in Bath has been sold at auction for £993,000.
The handwritten parchment for The Watsons, which experts believe was only a quarter completed, has been sold by Sotheby’s to the Bodleian Library in Oxford. The Austen manuscript It had been expected to fetch £200,000, but the rare nature of the work and the fact that it is the earliest surviving manuscript by Austen, meant it went for much more. It is believed to have been started in 1804, while she was living in Bath, but is believed to have abandoned it after the death of her father the following year.
Holly Newton, from Bath’s Jane Austen Centre, said: “She started the book when she was living in Bath and there is speculation about why she didn’t finish it.
“One theory is that the storyline was too close to home, too autobiographical. Also, she wasn’t particularly settled or happy when living in Bath. There were financial problems, her father died when she was living here, so it has been suggested that she had a lull in her writing when she was here because she wasn’t settled.”
The only surviving manuscripts of Austen’s completed novels are two draft chapters of Persuasion, which are kept at the British Library, her younger work Lady Susan, which is at the Morgan Library in New York, and Sanditon, which is at King’s College, Cambridge.
Ms Newton added that she was not surprised The Watsons had sold for such a large sum of money. She said: “Original Jane Austen-related artefacts would always go for a lot of money. There has been a recent surge in popularity and there is so much interest in her life and work. ……There aren’t many artefacts from her life, so these kind of pieces give us a real insight into how she worked.”
Experts believe Emma – the headstrong and independent-minded heroine of the novel – is based on the author herself.
via (no longer online) This is Bath | Bath Jane Austen The Watsons sold auction.
Oooh, anyone who loves Regency history will want to go to Drury Lane Theatre and go
Behind the Scenes Tour – Drury Lane Theatre
by Kristine Hughes and Victoria Hinshaw
Through the Stage Door is the UK’s first Interactive Theatre Tour at the Theatre Royal Drury Lane. Directed by Andrea Brooks with three professional actors, the history of The Theatre Royal Drury Lane is brought to vivid life as key characters, writers and actors from the theatre’s 300 year old past take you back through time as you look around this famous theatre. Since its construction in 1663 the theatre has triumphed over tragedy, fire, bankruptcy and even murder.
The Theatre Royal in Drury Lane opened in 1663, soon after the Restoration when Charles II returned to the throne. This ended Parliament’s puritanical rule which had seen all theatres in England closed, and the destruction of Shakespeare’s Globe. Now in a new and more fun loving age, Thomas Killigrew formed the Kings Company and built the first Theatre Royal Drury Lane, an important symbol of Britain’s theatrical reinvigoration following the barren years of puritan rule.
Since that first theatre there have been three more theatres built on the site of the original, in 1674, 1794 and 1812. The 1794 theatre was built by dramatist and radical MP Richard Sheridan. This was the biggest of all the Drury Lane theatres. It was in this theatre that an assassination attempt was made against George III . James Hadfield fired two shots at King George who was sitting in the royal box. Both missed their target. The would-be assassin was arrested, and George ordered the performance to continue. The 1794 theatre burned down in February 1809, a disaster which ruined Sheridan. There is a well known and oft told anecdote regarding Sheridan and the night of the fire, the following account is from The Lives of Wits and Humourists by John Timbs:
“On the night of the 24th of February, 1809, while the House of Commons was occupied with Mr. Ponsonby’s motion on the conduct of the War in Spain, and Mr. Sheridan was in attendance, with the intention, no doubt, of speaking, the House was suddenly illuminated by a blaze of light; and the debate being interrupted, it was ascertained that Drurylane Theatre was on fire. A motion was made to adjourn; but Mr. Sheridan said, with much calmness, that “whatever might be the extent of the private calamity, he hoped it would not interfere with the public business of the country.” He then left the House, and proceeding to Drury-lane, witnessed, with a fortitude which strongly interested all who observed him, the entire destruction of his property. . . It is said that as he sat at the Piazza coffee-house, during the fire, taking some refreshment, a friend of his having remarked on the philosophical calmness with which he bore his misfortune, Sheridan answered, `A man may surely be allowed to take a glass of wine by his own fireside.’
“Among his losses on the occasion there was one which, from being associated with feelings of other times, may have affected him, perhaps, more deeply than any that were far more serious. A harpsichord that had belonged to his first wife, and had long survived her sweet voice in silent widowhood, was, with other articles of furniture that had been removed from Somerset House, (Sheridan’s official apartments,) to the theatre, lost in the flames. The cost of building of this vast theatre had exceeded 150,000 pounds; and the entire loss by the fire, including that of the performers, musicians, etc., was estimated at 300.000 pounds.”
Theatre Royal Drury Lane is now owned by Andrew Lloyd Webber’s Really Useful Company, and is used to stage musical theatre. The tour lasts approximately one hour, during which participants will meet characters such as the playwright Richard Sheridan, the great clown Grimaldi, the celebrated actress/mistress Nell Gwynne and many others who played an important role in the theatre’s history.
Nell Gwynne
Tour Times: 10.15am and 11.45am – Wednesday and Saturday
2.15pm and 4.15pm – Monday, Tuesday, Thursday, Friday
via onelondonone: Behind the Scenes Tour – Drury Lane Theatre.
The Beau Monde invites you into the Regency World of author Lesley-Anne McLeod, one of our original chapter members, as she talks about dance instructions from Button and Whitaker, St. Paul’s Churchyard, London.
Please stay and share a few dances at the Beau Monde.
In The Ladies’ Fashionable Repository for 1811, I found a few weeks ago a page titled “Button and Whitaker’s New Country Dances, for 1811”. It included some twenty-four dances, listing titles and brief instructions on the new movements.
The Spanish Cloak–Turn your partner round with the right hand, the second couple do the same, lead down the middle, up again, turn rouSt. Paul’s Churchyard had been throughout the 1700’s and into the mid 1800’s a center of musical retailing, along with its bookshops and book publishing. The reason for this, according to Sir John Hawkins (in his book The History of Music) was that “the service at the Cathedral drew together, twice a day, all the lovers of music in London..”
Button and Whitaker frequently published such collections of new dances. They also published booklets such as New Instructions for the German Flute, containing the easiest & most modern methods for learning to play, etc.; Pocket Collection of Favourite Marches; and Dr. Clarke’s Arrangement of Handel. Other of their titles included: 1816 Companion to the Ballroom; “Selection of dances, reels, and waltzes for the Pfte., Harpsichord, Violin, or German Flute”, No. 8,; and Opera of THE LORD OF THE MANOR, Written by C. Dibdin, Jun. It seems to have been a sizable operation, with a wide and voluminous production of sheet music.
Button and Whitaker also published a version of Thomas Moore’s Celebrated Irish Melodies, arranged for the Harp or Pianoforte; with introductionry, intermediate, and concluding Symphonies, composed by John Whitaker.
It appears Mr. Whitaker did a considerable amount of composing; one advertisment mentioned: “Paddy Carey; a celebrated Air; composed by Whitaker. Arranged as a Rondo for the Piano-forte…”
They also sold instruments. One mention of a boxwood clarinet by Button and Whitaker is still current on the internet. I’ve not been able to discover more information about their instrument sales as yet.nd.
Cheltenham Waltz–Turn three with the first lady, the same with the first gentleman, lead down the middle, four couple up again, and swing corners.
The dances and their names were charming but who, I wondered, were Button and Whitaker? Research was required–I never find it a hardship!
Button and Whitaker, I discovered, were among the premier music publishers and musical instrument sellers of Regency England. They were located in St. Paul’s Churchyard, according to Frank Kidson, author of the article Handel’s Publisher from Oxford University Press:
“At the North West corner, …was in 1731 located Peter Thompson at the “Violin and Hautboy.” The Thompson family with their successors, Button and Whitaker, held the business here until about 1830.”