Clothing & Fashion – Page 3 – Regency Fiction Writers

The age-old question regarding pockets in 18th c. breeches is investigated by bestselling authors, Loretta Chase & Susan Holloway Scott, from

Do 18th c. Breeches Have Pockets?

Susan reporting: A reader commenting on today’s post that featured the gentleman’s velvet breeches asked: “Everyone always wants to know where the pockets were in the garments. I have had people argue vehemently that there are no pockets in breeches.”

For the answer, I went back to Mark Hutter, Journeyman Tailor here at CW. His reply: there’s no definite right or wrong. Some breeches have pockets, and some don’t. Most likely the decision would be made according to the wearer’s personal taste.

Where are the pockets? They’re on the front of the breeches, never on the back.

On the pair of replica breeches, there is the front flap or fall, with buttons on the corners of the fall. On either side of the fall are button-through points, and the pockets are below that.

Mark says that he’s also seen a long, narrow pocket along one side seam called a purse pocket, with another button flap for security. For comparison, the boy’s breeches, right, don’t have pockets.

I love peeking into Jane Austen’s World to see the latest on Regency Fashion. Whenever there is an opening, I’ll post another fascinating item.

Todays is a Banyan. Enjoy!

Regency Fashion: Banyan, a man’s dressing gown

Dress for Excess: Fashion in Regency England, the fashion exhibition at the Brighton Pavilion this year, features a quilted printed (chintz) banyan, or men’s dressing robe worn over a shirt and knee breeches.

When at home, a gentleman would change into an informal knee-length dressing gown known as a banyan, and wear it around his family at breakfast, playing games, such as cards or backgammon, and while reading in his library or writing letters. One can readily imagine Mr. Bennet wearing a banyan in his study, and most definitely Mr. Woodhouse (image below), as he sat by the fire reading a newspaper.

Mr Woodhouse (Bernard Hepton) in a fur-lined fitted man’s dressing gown, or banyan

The banyan was a loose, full kimono style in the early 18th century, but later evolved into a more fitted style with set-in sleeves, similar to a man’s coat. It was known as an Indian gown, nightgown, morning gown, or dressing gown. First used as a type of robe, it was originally worn for leisure and in at-home situations; but came to be worn as a coat out-of-doors, in the street, or for business. Many gentlemen had their portraits made while wearing banyans. They were made from all types of fabrics in cotton, silk, or wool (Cunningham, 1984).

Nicholas Boylston in a loose fitting banyan, 1767. Painted by John Singleton Copeley. Image

Tartan wool banyan lined in bottle green silk, 1800.