Here We Go…Wasailling!

The origins of caroling date far back in time, with the word ‘carol’ dating back to the Old French and the 1300s, meaning a ‘joyful song’ or to ‘dance in a ring accompanied by singers’. In ancient times, celebrations often included song and dancer, with May carols and harvest carols existing, and perhaps others we have lost. The idea of attaching songs to Christmas in terms of celebration is credited to Saint Francis of Assisi, who in the 1200s created nativity scenes with hymns and everyone invited to sing along. This idea spread throughout the 1300s, and the Anglo-Saxon toast of ‘waes hael’ (be well) gives us ‘wassailing.

Wassailers—usually those without much in a village—would serenade the better-off locals in the great and good houses who were likely to offer up food and drink, and perhaps a few coins at Christmastime. A candle in a window noted a house willing to entertain wassailers. It was considered bad luck not to reward the efforts of these traveling entertainers with food and drink, including a ‘figgy pudding’ (figgy simply means any dried fruit, and this would also be known as a plum pudding, and then as a Christmas pudding).

The Oxford Dictionary notes that one of the oldest printed carols is the ‘Boar’s Head Carol’, dating to 1521 and traditionally sung at Queen’s College, Oxford while Christmas lunch is served. In 1522, King Henry VIII published music and words for a carol called ‘Green Groweth the Holly’ (perhaps inspired by the song, ‘The Holy and the Ivy’). As with many early carols, these songs had roots in earlier pagan celebrations of Winter Solstice. The Tudors in particular enjoyed both wassailing and mummers. Twelfth Night was also a time for wassailing and mummers might arrive to offer up entertainment, usually in the form of a play with St. George, the dragon he slays, the Turkish knight, and others. Mummers might also ‘pass the hat’ for a few coins.

Wassailing celebrations could also extend to the ‘Old Twelvey’ (January 17, the date of the old Julian calendar, which was revised in 1752). The older wassailing might involve blessing the apple tress, an ancient tradition in cider-producing areas such as Devon, Kent, Herefordshire, Somerset, and Sussex.

In 1644, Oliver Cromwell outlawed public caroling, along with figgy puddings and all other ‘Popish’ Christmas celebrations, but they came back with the Restoration, which did away with all legislation passed in England between 1642 and 1660.

By the Georgian era—and the English Regency—Christmas celebrations began on St. Nicholas Day, December 6, with an exchange of gifts, and went on until Twelfth Night. While attending church service was common for many on Christmas, the idea of songs, games, feasting and fun carried throughout the Christmas celebrations.

William Holland, a parson who kept a diary from 1799 to 1818, wrote of December 25, 1799, “Cold, clear and frosty. Christmas Day, Sacrament Day at my church. Went to Aisholt in the afternoon, returned to a late dinner by myself on spratts and a fine woodcock. The kitchen was tolerably well lined with my poor neighbours, workmen &cc. Many of them staid till past ten o’clock and sang very melodiously. Sent half a crown to our Church Musicians who had serenaded the Family this cold morning at five o’clock.” (Quoted from Paupers and Pig Killers, his published diary.) Holland uses the more contemporary term—for him—of ‘musicians’,

What might these musicians or wassailers sing?

The English carol ‘We Wish You a Merry Christmas’ dates to the 1500s, and was included in the book, Christmas with the Poets, which gives these words for a wassailing song: “Here’s to thee, old apple tree, Whence thou may’st bud, and though may’st blow! And whence though may’st bear apples enow! Hats full! Craps full! Bushel – bushel – sacks full! And my pockets full too!”

Another older carol is ‘I Saw Three Ships’, with multiple versions existing, depending on the location of the singers. ‘Deck the Halls’ comes from a Welsh song, ‘Nos Galan’. Translated from the Welsh, it has less to do with halls and more to do with love, “Oh! how soft my fair one’s bosom, fal lal lal lal lal lal la. Oh! how sweet the grove in blossom, fal lal lal lal lal lal lal lal la. Oh! how blessed are the blisses, Words of love, and mutual kisses, fal lal lal lal lal lal lal lal la.”

‘God rest you merry, Gentlemen’ dates to the 1500s, again with different words and music, all localized in England. The version most familiar to modern ears dates to the 1650s when it is printed in a book of dancing tunes. It became more popular as a Christmas carol in the Victorian era, which is true for many of the songs we know today. ‘Silent Night’ was first performed in Oberndorf, Austria as ‘Stille Nacht’ with words written in 1816 by Father Joseph Mohr and music added in 1818 by Franz Xaver Gruber. It would not appear in English until 1863. The music and lyrics of ‘O Come All Ye Faithful’ (‘Adeste Fideles’) dates to France and the early 1700s. The first published version shows up in 1760 and is translated into English in 1841. ‘While Shepherds Watched Their Flocks By Night’, a poem by Nahum Tate, was published in Tate and Brady’s Psalter in 1702. The music is by George Frederick Handel, written in 1728, and arranged for the carol in 1812.

Charles Wesley, who wrote over 6,500 hymns, published the words for ‘Hark! The Herald Angels Sing’ (noting it should have solemn music) in 1739 in Hymns and Sacred Poems. (His opening couplet was, “Hark! how all the welkin rings / Glory to the King of Kings” with welkin meaning the sky or heaven.) In 1752, George Whitfield modified the lyrics, but the tune we know comes from Felix Mendohlsson’s 1840 ‘Vaterland, in deinen Gauen’, which was adapted to fit the Christmas carol by William Cummings.

In 1822, Davies Gilbert published Some Ancient Christmas Carols and wrote: The Editor is desirous of preserving them in their actual forms…He is anxious also to preserve them on account of the delight they afforded him in his childhood, when the festivities of Christmas Eve were anticipated by many days of preparation, and prolonged through several weeks by repetitions and remembrances.” Gilbert often lists the tunes as simply Carol I, Carol II, and so on, but he includes music as well as lyrics, such as “Hark! Hark! What news the Angels bring, Glad tidings of a new-born king.”

William Sandys, an English solicitor and a Society of Antiquaries of London fellow, published Christmas Carols Ancient and Modern in 1833. His book included ‘The First Noel’.

Handel’s Messiah oratorio, which includes the ‘Hallelujah’ chorus, was originally written for Easter performances. The first London performance was at the Theater Royal, Covent Garden on March 23, 1742. It became a regular performance there and in Bath, with the first performance in Bath on November 24, 1756. Performances in Bath often occurred either in December or around Easter, often in the New Assembly Rooms, but also in churches and other locations. It is noted as being performed for many years on Christmas Eve at the Assembly Room. The book, The Bath Messiah goes into detail about how the Herschels—William and his sister Caroline—arranged performances in Bath (she sang, and their brother played cello) in the late 1700s, before William became more interested in astronomy. Christmas Eve Messiah performances date to Venanzio Rauzzi who organized performances from 1781 to 1800, and the Bath Choral Society, which started up in 1819.

Finally, instead of song, if one was in town (London), there was always the Christmas pantomime, which opened on Boxing Day, where the famous clown Joseph Grimaldi performed at Drury Lane, or Astley’s Amphitheater offered a special Christmas spectacular.

For more information:
https://jobev.com/xmasarticle.html
Christmas Carols Ancient and Modern can be found online at: https://www.google.com/books/edition/Christmas_Carols_Ancient_and_Modern/x2VKAAAAIAAJ?hl=en
Some Ancient Christmas Carols can be found online at: https://www.google.com/books/edition/Some_Ancient_Christmas_Carols/u0dGAAAAYAAJ?hl=en

Article by Shannon Donnelly for The Quizzing Glass blog and The Regency Reader.

May Day Traditions in the English Regency

Johann Peter Neef's "May Day" painting, depicting three young ladies and two gentlemen in Regency garb dancing around a maypole holding streamers attached to to the top of a pole decorated with flowers. — May Day by Johann Peter Neef (1753-1796)

“On Monday last at Cheriton, near Alresford, the usual pastime of Maying commenced, where a Maypole was erected in commemoration of the day, and in the afternoon the sons and daughters of May, dressed in a very appropriate manner for the occasion, accompanied by a band of music, proceeded to a commodious bower, composed of green boughs, garlands of flowers, &c. erected for dancing; it was attended by upwards of 50 couple of the most respectable people in the neighbourhood, till the evening.” – Hampshire Chronicle, 8 May 1815

It’s May, when the weather warms, flowers bloom, and—according to Sir Thomas Malory in Le Morte d’Arthur—“…it giveth unto all lovers courage, that lusty month of May.” (Which is where the lyrics of the song in the musical Camelot gets the phrase.)
Celebrations of May date far back in time. The ancient Celts marked May 1 as Beltane and the start of the near year, and bonfires were lit—a celebration still held in parts of Ireland and Wales. Ancient Greek celebrated with a May-wreath, while the Roman festival of Floralia (for the goddess Flora), was held in late April and early May. May brings to England the time of year when fresh fruits and vegetables reappear in abundance and, with green being symbolic of life and renewal, it was a time to eat just about any herbs or salads made of greens.

The traditions in England often involved dances around a maypole—which dates back in records to the 14th century—that would be decorated with flowers. (In 1644, the Puritan Parliament of England banned maypoles as being far too pagan, but Charles II restored the tradition—not that it had really fallen from favor in the rural countryside). A May King and Queen might be crowned, and girls would dress in white and put flowers in their hair. Morris dancers, decked out in green and white with flowers on their hats and bells tied to their legs, would also be out to celebrate, and milk maids would dance, sometimes with decorated milk or ale pails on their heads. Pantomimes might be performed, with stories of Robin Hood and Maid Marion being very popular characters.

Around 1770 and through to the early 1900s, Jack in Green or Jack o’ the Green—a man dressed in a wicker frame decorated to look like a tree—became a popular character, and the milk maids—and sometimes the chimney sweeps of London—would dance around him. The tradition has deeper roots in the mythic Green Man who appears carved into many early churches with his face made of leaves and branches.

May Day was also when fairs might be held in many parts of England. London’s now posh area of Mayfair got it’s name from an annual fair that took place in what had once been a muddy, rural monastery (near the River Tyburn swamps). The May Fair was held at Great Brookfield (now part of Curzon Street and Shepherd Market) from May 1 to May 14, with the last fair held in 1764. Fairs offered plays, jugglers, fencers, bare-knuckle fighting, women’s foot races, eating contests, and rather a lot of bad, drunken behavior. The Grosvenor family acquired the land through marriage and by 1720, the wealthy moved from Soho and Whitehall into these fashionable “West End” addresses.

While London’s May Fair became a memory, fairs across England persisted as a place for shops to set up to sell cattle, horses and other livestock, for business to be conducted, crafts sold, and entertainment offered, and May offered good weather and a reason to get together.

In medieval times on through to the Industrial Revolution that changed the agricultural world, May Day was a day of rest and celebrations. Hawthorn branches were one of the favorites for its pretty white flowers and associations to bringing in luck, but sycamore, birch, and rowan trees were also used, with flowers plucked from anything that bloomed. Etymological Dictionary of the Scottish Language by John Jamieson in 1808 describes some of the May Day customs that persisted into the Regency era in Scotland, which he noted were beginning to die out. (The Victorians came along and revived the traditions, however.)

Other customs that carried into the late 1700s and early 1800s included collecting May dew from grass and hedges to bring luck, beauty, clear away any spots, and even heal sickness. In parts of England, May Day would be the day to choose a bride, or hire a new servant (it was one of the main Quarter Days), or even take a community walk over the common paths that, by ancient rules, had to be kept open so long as one person walked them once a year. May baskets of flowers also became a popular gift to leave on the doorsteps of friends, relatives and loved ones.

Well dressing was another ancient custom—mostly in Derbyshire and Staffordshire—of tying floral garlands or colorful ribbons to wells and springs. In north England, the day for pranks fell on May 1 when May Goslings—typically young men—might swap shop signs or play jokes on others, but the jests had to stop by midday. In Oxford, on May Day, a tradition dating back to Tudor days is still held, when the Hymnus Eucharisticus is sung from the top of Magdalen Tower, along with the madrigal, Now is the Month of Maying. Crowds would gather—and still do—on Madalen Bridge and in boats on the River Cherwell—a tributary of the Thames—to listen to the choir and hear prayers led by the Dean of Divinity. The village of Randwick, Gloucestershire, from the 14th century until the late 19th century—when it was banned for too much drunken trouble (and later revived in 1970)—held the Randwick Wap, when three wheels of cheese were decorated, carried to the village churchyard, rolled three times around the church, and then taken to the village green to be shared.

(On a side note, the phrase “mayday” meaning distress has nothing to do with May Day. It originated in the 1920s when a English radioman though it sounded a lot like the French word m’aider, meaning “help me.”)

While May Day traditions carried on into the English Regency period, they started to fall to the side as the Industrial Revolution and the Enclosure Acts pushed people from the countryside to the cities. However, Victorians—with their fondness for the past—revived most of the traditions, as did many modern villages, bringing back the joy of spring flowers, dancing and the delight of the return of warm weather—an idea time to bring a little romance into your life.

For more information, visit:
https://riskyregencies.com/2015/05/01/celebrating-may-daybeltanewalpurgis-nacht/
https://regencyredingote.wordpress.com/2017/05/19/the-english-festivals-by-laurence-whistler/

Article by Shannon Donnelly for The Quizzing Glass blog and The Regency Reader.

Mistletoe Myths

Christmastime in Regency England began on Christmas Eve—it was considered bad luck to decorate any earlier, a tradition lost in this very commercial modern world. Decorations included holly with its prickly green leaves and bright red berries, green ivy and fragrant rosemary, evergreen boughs, laurel and bay leaves, and—of course—mistletoe. In the countryside, this could be collected, and in the city, it could be purchased, and many an enterprising young person might gather the greenery to sell and raise some money.

Jane Austen also mentions cutting out ornaments from gold paper and silk to pin onto the greenery. The decorations would stay in place until Epiphany, or Twelfth Night, when it was said the three kings or magi visited baby Jesus, and Twelfth Night cake would be served. It would be bad luck to leave it up any longer, and so the greenery—now dry—would be burned.

The custom of kissing under the mistletoe—or kissing bough—was in place in Regency England, but its exact origins are lost.

Mistletoe was prized by the ancient Greeks, and included in marriage ceremonies. Romans used the plant as a symbol of peace. The Norse considered it a symbol of peace as well, with a myth about the death of Baldur, killed by a spear of the plant, and after that the goddess Frigg declared the mistletoe to instead be a symbol of love. The Druids thought the plant, which grows upon other trees, had magical and medicinal powers and brought good luck. It was usually found on apple trees, but was considered a divine plant when found upon oak trees. The Druids used mistletoe to cure infertility, but mistletoe was a herbal remedy used for centuries to treat arthritis, epilepsy, hypertension, headaches, and menopausal symptoms.

Its modern name comes to us from Old English mistiltan, which in turn comes from the old Saxon words mistel, a word of uncertain origins, and Proto-Germanic word tan, meaning “twig” (which in turn traces back to the Old Saxon and Old Frisian word ten, and the Old Norse teinn).

While decorating with mistletoe in winter dates to pre-Christian times—it was a custom in Wales to decorate the house with mistletoe—Mark Forsyth in his book A Christmas Cornucopia: The Hidden Stories Behind Our Yuletide Traditions traced the tradition of a kiss under the mistletoe to starting up somewhere between 1720 and 1784 in England. Forsyth notes mention of mistletoe in print in 1719 and 1720 books by John Colbatch. The apothecary and physician wrote on the superstitions and customs associated with mistletoe, but without a mention of kissing. That could be due to him being more interested in its medicinal properties. Forsyth also mentions stories from the 1700s depicted women “using the mistletoe excuse to elude possessive husbands and parents”—so it seems to have been a way to break some rules.

The tradition holds that a man is allowed to kiss any woman—or a woman may kiss any man—standing beneath a sprig of mistletoe, or a kissing bough made by weaving the mistletoe into a ball. If the kiss is refused, bad luck befalls that person. When a kiss is taken, a berry is plucked off the mistletoe, and after the last berry has been taken, no more kisses can be stolen.

But a Regency Christmas was not just about stolen kisses. The Reverend William Holland, who served at the vicarage of Overstowe in Somerset, kept a diary of his life there from 1799 to 1818. Not only did he hold the traditional Christmas Eve service, with its church bells calling the faithful to attend, he and his family would be woken early on Christmas by wassailers who sang for their traditional drink. Holland then opened his house to these folks and the villagers for food and drink, showing the custom in Regency England of goodwill and charity at Christmastime. Let us hope he also had some mistletoe in the house.

For more reading:
https://www.95th-rifles.co.uk, A Regency Christmas
https://randombitsoffascination.com, Kissing Boughs and Mistletoe
https://janeaustensworld.com, Gathering Mistletoe